75 | Mick LaSalle |
The results are comical and unexpected -- and just a bit eerie. |
Read More: San Francisco Chronicle |
75 |
Artful it's not. But it's awfully affable. [26 March 1999, Life, p.9E] |
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75 | Rick Groen |
EDtv is precisely the kind of brisk, straightforward, amiable and accessible material that shows Howards skills to advantage. |
Read More: The Globe and Mail (Toronto) |
70 | Stanley Kauffmann |
The screenplay, by Lowell Ganz and Babaloo Mandel, based on a French film, has enough sharp gags and plot twists to sustain it, with an ending that manages to be nice. |
Read More: The New Republic |
70 | David Ansen |
Ron Howard's version is--no surprise--a funny, audience-friendly entertainment that's ultimately less scathing satire than conventional Hollywood romantic comedy outfitted in trendy new clothes. |
Read More: Newsweek |
70 | Elvis Mitchell |
With down-to-earth comic instincts, it simply invests its story with a loud ring of truth. |
Read More: The New York Times |
67 | Owen Gleiberman |
The fact that Ed's life has been channeled into entertainment never achieves much tension or comic zest. That's because Howard thinks in cookie-cutter ''situations'' to begin with. |
Read More: Entertainment Weekly |
63 | James Berardinelli |
No one will ever confuse Ron Howard with Robert Altman. So, instead of a potentially hilarious satire, we're left with, as one character in the film puts it, "a joyous celebration of boobery." |
Read More: ReelViews |
63 | Roger Ebert |
I enjoyed a lot of the movie in a relaxed sort of fashion; it's not essential or original in the way "The Truman Show'' was, and it hasn't done any really hard thinking about the ways we interact with TV. |
Read More: Chicago Sun-Times |
60 | Rita Kempley |
Howard's film, like McConaughey's performance, is unassuming, ingratiating and a little rough around the edges. |
Read More: Washington Post |
60 | Kenneth Turan |
Like the television medium it genially satirizes, EDtv is a grab bag that's both amusing and frustrating. |
Read More: Los Angeles Times |
50 | Andrew O'Hehir |
Bleach out the colors, backdate the wardrobes, insert Gary Cooper and Rosalind Russell and you've got one of Frank Capra's lesser films. |
Read More: Salon.com |
50 | Marc Savlov |
Neither a revelation nor a total wash, EDtv is instead solid comic filmmaking. I just can't help but think it could have been so much more. |
Read More: Austin Chronicle |
50 | Wesley Morris |
The laserdisc of media movies - it plays fine, but it's clunky and cumbersome. |
Read More: San Francisco Examiner |
50 | Anthony Miele |
It's the outstanding performance from Martin Landau that really seems to hold your interest, as well as hold the film together. |
Read More: Film Threat |
50 | Sandra Contreras |
Like its star, Howard's movie is affable, but has limited range. |
Read More: TV Guide Magazine |
50 | David Sterritt |
Its screenplay veers in highly questionable directions before reaching a mean-spirited climax that outweighs Ron Howard's workmanlike filmmaking and the contributions of a star-powered cast. |
Read More: Christian Science Monitor |
40 | David Edelstein |
Howard and his writers are so in love with their own hip self-consciousness that it's a wonder they don't feature film critics discussing their movie. |
Read More: Slate |
40 | Todd McCarthy |
A certain staleness hangs over the proceedings despite the best efforts of the cast and the fun-minded creative team. |
Read More: Variety |
40 | Desson Thomson |
The movie's too slick and obvious about its intentions. |
Read More: Washington Post |
40 | Amy Taubin |
It's a lot of plot but none of it is particularly funny or compelling. What keeps the film chugging along and also gives it a depressive aftertaste is a middle-aged male sexual anxiety subtext that intermittently sputters to the surface. |
Read More: Village Voice |
38 | Peter Travers |
Satire in a blanket of bland. |
Read More: Rolling Stone |
30 | Peter Rainer |
I've never been sold on this anti-TV thesis. It's snooty. It assumes we in the audience have seen the light denied the lower orders. Invariably, the people in these movies who are rendered blotto by the tube are dingbat common folk. EDtv takes this notion to a new low. |
Read More: New York Magazine (Vulture) |
30 | Michael Sragow |
By the end the movie audience, like the electorate, is less satisfied than strung-out and exhausted. |
Read More: Dallas Observer |
20 | Jonathan Rosenbaum |
But it's also Howard's and his audience's misfortune that a good time can be had by all only if nothing of substance gets said. |
Read More: Chicago Reader |