100 | Lisa Schwarzbaum |
What matters is that Tiana triumphs as both a girl and a frog, that dreams are fulfilled, wrongs are righted, love prevails, and music unites not only a princess and a frog but also kids and grown-ups. |
Read More: Entertainment Weekly |
100 | Richard Corliss |
In an amazing year for animation, The Princess and the Frog is up at the top. Go on, give it a big kiss. |
Read More: Time |
100 | Amy Biancolli |
The animation, sparkling and graceful, also ranks as the studio's best traditional work in ages. |
Read More: San Francisco Chronicle |
100 | Ann Hornaday |
The Princess and the Frog invite viewers to see the world as a lively, mixed-up, even confounding place, to recognize essential parts of ourselves in what we see, and to say: This is what we look like. |
Read More: Washington Post |
88 | Lawrence Toppman |
Two things keep the film off Disney's top shelf. First, Naveen is a dull hero; his good-natured vanity isn't engaging until late in the story. Second, Newman's songs are less bland than usual but no more memorable. |
Read More: Charlotte Observer |
88 | Carrie Rickey |
The film billed as the first Disney animation to boast an African American "princess" is really about a resourceful bootstrapper in New Orleans, a young woman allergic to the fairy-tale pap spoon-fed to young girls. |
Read More: Philadelphia Inquirer |
88 | James Berardinelli |
Randy Newman's songs are catchy and are effective within the movie's context, but I can't see any of them having "legs" beyond the screen the way tunes from the earlier animated musicals did. |
Read More: ReelViews |
88 | Mike Scott |
Local viewers will be tickled by the wealth of New Orleans details in the production. One of the best just might be in the film's music. |
Read More: New Orleans Times-Picayune |
83 | Tasha Robinson |
Disney’s triumphant return to hand-drawn 2-D animation still holds an awful lot of familiar, comfort-food charm. |
Read More: The A.V. Club |
83 | Marc Mohan |
It's no "Fantasia" or "Sleeping Beauty," but it's no "The Rescuers Down Under," either. |
Read More: Portland Oregonian |
80 | Kirk Honeycutt |
Marks Disney's rediscovery of a strong narrative loaded with vibrant characters and mind-bending, hilarious situations. |
Read More: The Hollywood Reporter |
80 | Betsy Sharkey |
The dialogue is fresh-prince clever, the themes are ageless, the rhythms are riotous and the return to a primal animation style is beautifully executed. |
Read More: Los Angeles Times |
80 | Mary Elizabeth Williams |
The sweetest, most sincere romantic comedy to come along in ages, and a luminous love letter to a great American city. |
Read More: Salon.com |
80 | Dan Kois |
Represents a course-correction for Disney's multibillion-dollar princess franchise: It attempts to celebrate the virtues of hard work and pluck, even if the movie itself can feel at times like a lesson rather than an enchantment. |
Read More: Slate |
80 | Helen O'Hara |
Exactly as good as Musker and Clements’ earlier efforts, so a return to the form of Disney’s early 1990s classics. The animation is gorgeous, the heroine feisty and the animals amusing -- but this may be too scary for the very small. |
Read More: Empire |
78 | Marc Savlov |
It's Disney's best traditionally animated outing in ages. |
Read More: Austin Chronicle |
75 | Claudia Puig |
Emphasizes backing up wishes with hard work. That proviso is a thoughtful message for young moviegoers. |
Read More: USA Today |
75 | Lou Lumenick |
Overall, the film is not quite up to "Aladdin" and "The Little Mermaid" from the same directing team of Ron Clements and John Musker, not to mention the recent string of masterpieces from Pixar. |
Read More: New York Post |
75 | Roger Ebert |
The Princess and the Frog inspires memories of Disney's Golden Age it doesn't quite live up to, as I've said, but it's spritely and high-spirited, and will allow kids to enjoy it without visually assaulting them. |
Read More: Chicago Sun-Times |
70 | Andrea Gronvall |
A welcome return to the Disney tradition of 2-D animation, this lively musical spices up Hans Christian Andersen's "The Frog Prince" by transplanting it to New Orleans in the early 20th century. |
Read More: Chicago Reader |
63 | Rene Rodriguez |
This is minor Disney at best, forgettable at worst. |
Read More: Miami Herald |
63 | Michael Phillips |
The movie slam-jams its overpacked story in a frenetic, needlessly complicated manner. It lacks for nothing in setting and atmosphere but comes up short where it counts: the characters. |
Read More: Chicago Tribune |
63 | Wesley Morris |
The voice actors are also excellent, especially Michael-Leon Wooley as a bouncy trumpet-playing alligator and Jim Cummings as a lovelorn Cajun firefly. |
Read More: Boston Globe |
60 | Joe Neumaier |
Part of the problem with "P&F" is that Tiana and Naveen's connection feels superficial. |
Read More: New York Daily News |
60 | David Fear |
Eye-candy–wise, the film plants a big wet smooch; everything else about this happily-ever-after tale, however, feels like a mere air-kiss. |
Read More: Time Out New York |
50 | Justin Chang |
This cheeky update of a classic fairy tale boasts almost as many talking points as merchandising opportunities. |
Read More: Variety |
50 | Scott Foundas |
The Princess and the Frog is pleasantly, if unmemorably, drawn. But the movie as a whole never approaches the wit, cleverness, and storytelling brio of the studio's early-1990s animation renaissance (Beauty and the Beast, The Lion King) or pretty much anything by Pixar. |
Read More: Village Voice |
50 | Manohla Dargis |
It’s not easy being green. But to judge from how this hand-drawn movie addresses, or rather strenuously avoids, race, it is a lot more difficult to be black. |
Read More: The New York Times |
50 | Joe Williams |
It's a worthy cause and an honorable film, the first full-length Disney cartoon with an African-American heroine. But without a strong story, it's a case of one step forward and two steps back. |
Read More: St. Louis Post-Dispatch |